Case study · Dyspraxia DCD Ireland

Signposts for managing challenging behaviour

Dyspraxia DCD Ireland wanted a series of short parent-education films - everyday moments between a parent and child that model positive, practical ways to handle behaviour, made for a dyspraxia audience. We filmed several families over two days, at home, in a park and in a shop, in a shoot built entirely around the children in it.

2 dayson-location filming across home, a park and a shop
Familiesseveral families filmed at their own pace, parents present throughout
Child-leda shoot built specifically for a dyspraxia audience

Filming children and families meant earning trust before rolling a frame.

The build

From a personal brief to a finished series.

The brief

Dyspraxia DCD Ireland is the national charity supporting people with Dyspraxia / Developmental Coordination Disorder (DCD) and their families. For Signposts for managing challenging behaviour, a parent-education resource, they wanted a series of short films made for a dyspraxia audience.

Each film is a short, everyday moment between a parent and child - getting ready in the morning, mealtimes, chores, homework, learning to pour a drink or use the washing machine, playing together - used to model positive, practical ways of handling everyday behaviour. The scenes stand alone, so families only ever had to focus on their own moment on the day.

A shoot built for the children in it

Because the films feature real children, the whole production was designed around them. We filmed just one scene at a time, in short blocks of two or three with proper rest in between, so there was never a rush - and there was no pressure to be word-perfect, with the crew happy to run extra takes.

The schedule was built for a dyspraxia audience specifically: extra time for scenes involving physical tasks, a predictable running order with clear signals before moving on, and settling-in time whenever filming moved to a new or unfamiliar location such as the park. If a child needed a longer break or more time to settle, the day had the flexibility built in.

Planning and delivery

We handled the communication, planning and project management end to end - preparing the scripts and a clear shoot-order, coordinating several families across two filming days and three settings, and understanding the charity's vision from day one.

Throughout, the priority was a calm, consent-led process that put the families first while still capturing the honest, human moments the resource needed - then delivering the finished films with professionalism, reliability and attention to detail.

What we delivered

A caring production, start to finish.

2 daysof on-location filming across home, a park and a shop.
Seriesof standalone parent-and-child scenes produced for the resource.
Child-ledpace built for a dyspraxia audience, with extra time and proper breaks.
End to endscripting, shoot-order, scheduling, project management and delivery.

Services included.

Concept and brief development · Script and shoot-order preparation · Location filming (home, park and shop) · Working sensitively with children and families · Child-centred scheduling for a dyspraxia audience · Direction · Editing · Delivery. Every part of the production was shaped around the families taking part and the parents the films were made for.

Next step

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